What the New Yorker calls home would seem like a couple of closets to most Americans, yet he...
With several different kinds of poetry to choose from, a man would decide that he would like best to be an epic poet, and he would set out, in conscious determination, on an epic poem.
What has just been written will probably do for the Heroic Age which produced Homer, and for that which produced the Nibelungenlied, Beowulf, and the Northern Sagas.
Traditional matter must be glorified, since it would be easier to listen to the re-creation of familiar stories than to quite new and unexpected things; the listeners, we must remember, needed...
There is only one thing which can master the perplexed stuff of epic material into unity; and that is, an ability to see in particular human experience some significant symbolism of man's general...
The world knows of a vast stock of epic material scattered up and down the nations; sometimes its artistic value is as extraordinary as its archaeological interest, but not always.
The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.
The kind of folk-spirit behind the poet is, indeed, different in the Iliad and Beowulf and the Song of Roland from what it is in Milton and Tasso and Virgil.
The invention of epic poetry corresponds with a definite and, in the history of the world, often recurring state of society.
The folk-origin of ballads and the multiple authorship of epics are heresies worse than the futilities of the Baconians; at any rate, they are based on the same resolute omission, and build on it a...
The first epics were intended for recitation; the literary epic is meant to be read.
The epic poet has behind him a tradition of matter and a tradition of style; and that is what every other poet has behind him too; only, for the epic poet, tradition is rather narrower, rather more...
The epic poet collaborates with the spirit of his time in the composition of his work. That is, if he is successful; the time may refuse to work with him, but he may not refuse to work with his time.
The Border Ballads, for instance, and the Robin Hood Ballads, clearly suppose a state of society which is nothing but a very circumscribed and not very important heroic age.
The balance of private good and general welfare is at the bottom of civilized morals; but the morals of the Heroic Age are founded on individuality, and on nothing else.
That is to say, epic poetry has been invented many times and independently; but, as the needs which prompted the invention have been broadly similar, so the invention itself has been.
Poetry is the work of poets, not of peoples or communities; artistic creation can never be anything but the production of an individual mind.
No poet will ever take the written word as a substitute for the spoken word; he knows that it is on the spoken word, and the spoken word only, that his art is founded.
No one will ever imagine character more deeply or more firmly than Homer did in, say, Achilles; but Apollonius was the man who showed how epic as well as drama may use the nice minutiae of...
No great poetry, of whatever kind, is conceivable unless the subject has become integrated with the poet's mind and mood.
Man creating his own destiny, man, however wearied with the long task of resistance, achieving some conscious community of aspiration, and dreaming of the perfection of himself: the poet whose...