Only in the fact that I was kind of a science wonk in the '50s. You know, won a lot of science...
When an actor comes to me and wants to discuss his character, I say, It's in the script. If he says, 'But what's my motivation?, I say, Your salary.
This award is meaningful because it comes from my fellow dealers in celluloid.
There is no terror in the bang, only in the anticipation of it.
The more successful the villain, the more successful the picture.
The length of a film should be directly related to the endurance of the human bladder.
Some of our most exquisite murders have been domestic, performed with tenderness in simple, homey places like the kitchen table.
In reference to the murder scene in 'Dial M for murder': As you have seen on the screen; the best way to do it is with a scissor.
In films murders are always very clean. I show how difficult it is and what a messy thing it is to kill a man.
In feature films the director is God; in documentary films God is the director.
If it's a good movie, the sound could go off and the audience would still have a perfectly clear idea of what was going on.
I never said all actors are cattle; what I said was all actors should be treated like cattle.
I am to provide the public with beneficial shocks.
I am scared easily, here is a list of my adrenaline - production: 1: small children, 2: policemen, 3: high places, 4: that my next movie will not be as good as the last one.
I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.
Give them pleasure - the same pleasure they have when they wake up from a nightmare.
For me, the cinema is not a slice of life, but a piece of cake.
Drama is life with the dull bits cut out.
Disney has the best casting. If he doesn't like an actor he just tears him up.
Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.
Always make the audience suffer as much as possible.